The Amazing Life of Margot Heuman is a play about the first lesbian Holocaust survivor to bear testimony. Margot Heuman (1928-2022) was a survivor of Theresienstadt ghetto, Auschwitz, Neuengamme, and Bergen-Belsen. After the war, Heuman emigrated to the US, and spent the last years of her life in Green Valley, AZ. The play, which takes its text from interviews conducted by Warwick University historian Anna Hájková, offers a poignant look on coming of age as a Jewish queer woman in the concentration camps. In the play, Margot Heuman reflects on love, choices, sexual violence and sexual barter, homophobia, and survival. Moving, funny, pragmatic, and original, she reminds us of humanity within the society of Holocaust victims, but also of the stories that have been erased by homophobia. Heuman will most probably remain the only lesbian voice to speak about her experience in the Holocaust. “I am amazing,” she tells her interviewer, and the audience.
Directed by Erika Hughes (Portsmouth University), this work of documentary theatre layers Heuman’s testimony with archival imagery and projection. Actor Ayse Evans, who reads the testimony of Margot, notes that “this is the queer story I never had growing up, but that I am so glad my daughter will have.” This play offers a rare and important glimpse into queer life during the Holocaust, one of the most silenced and marginalized topics of this genocide.
Dr. Anna Hájková is Reader of modern European continental history at the University of Warwick. She is the author of the celebrated new study The Last Ghetto: An Everyday History of Theresienstadt (2020) and People without History are Dust: Queer Desire in the Holocaust (2021), forthcoming in expanded English translation with the University of Toronto Press. She is the pioneer of queer Holocaust history and her work has been recognized with the Catharine Stimpson Prize for Outstanding Feminist Scholarship (2013) and Orfeo Iris Prize (2020).
Dr. Erika Hughes is Reader in Performance and Interim Head, School of Film, Media and Communication at the University of Portsmouth, UK. She is the author of Holocaust Memory and Youth Performance (Bloomsbury/Methuen Drama, 2024) that offers critical analysis of youth-focused plays and performances about the Holocaust. Through an examination of works from around the world, including Germany, Israel, the United States, the United Kingdom, Canada, Poland, and Australia, Holocaust Memory and Youth Performance shows the critical role youth performance plays in coping with the legacy of historical tragedy. Her work as a theatre director has been seen on stages in Germany, Israel, the United Kingdom, the United States, and Pakistan.
This event is free but registration is required.
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ZOOM